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You narrowly avoid that and come across some rustling bushes before standing at the top of a cliff with a ladder when the pizza-moth appears over your head again. After you leave, a small tremor shakes the area, knocking a Strabby statue off the cliff. And if you take out your Snaxscope and scan them, the Journalist will point out how odd it is that those two signs are there and that they doubt Lizbert set them up. And to make matters even creepier, there are two signs in the small cave, one that says "DANGER" on it and the other with a skull and crossbones. And the next thing you know a giant pizza-moth attacks your ship, knocking you off and separating you from it as it drifts off! You land right outside a small mine with a grumpus skeleton inside it as well as some Fryders scurrying around, which can be quite startling, especially for those who have arachnophobia. You start during a literal dark and stormy night with fairly ominous music playing as you look at a map to Snaxburg. The very beginning of the game is quite unsettling. The Vokey SM9 wedges actually gave me LESS spin than the well-used Ping Glide 2.0 wedges (not worn-out or smooth on the faces, but played a good 40-50 rounds, I would estimate) and LESS spin than the first-generation Edison wedges, which had been in my bag for close to as many rounds as the Pings. my Ping Glide 2.0 wedges, which I consider to be pretty-much insignificant). The SM4 wedges gave me a bit more spin than any of the others (about 200-300 RPM on full shots and less than 200 RPM on partial shots vs. I now have the Edison 2.0 wedges in 48*, 53* and 58* lofts, but didn't have them when I did this wedge comparison/test in August. my Ping Glide 2.0 (54.12 and 58.10) wedges, as well as two of my first-generation Edison wedges (54* and 59* lofts). I have tested the TM MG4 and Vokey SM9 wedges vs. Honestly, it felt like it would take the cover off of any ball pretty quickly.ĭoes anyone game the MG4s or has anyone tested them versus SM9s or another competitors wedges? Or even the previous model, MG3s? I had an opportunity to see and feel MG4s in person recently and it is pretty interesting how rough(?) (not sure how to describe the face) the face of them felt with the newly marketed "Spin Tread". I personally own a set of SM9s but the new tech in the MG4 face has me pretty curious about them. So, I was wondering what everyone has thought of the MG4s vs the SM9s. I noticed in the wedge guide for 2023 that the SM9 was not in the consideration since it was previously covered and the guides only cover new/unreviewed products. That would almost kill the trade-in/buying used market for these clubs as well I would think. Please update over time if you do think the spin tread wears off quite fast. It is something different and new that is tangible. I've only felt the spin tread with my hands and not with a swing/ball and you are right about it feeling like sandpaper. Interesting and that actually makes a lot of sense. I'll be paying attention as I use them but I'm betting the best performance is going to be for guys on tour who get new wedges every tournament and the new tech isn't going to be a big deal for the average golfer who keeps wedges for a season or 2 or 5. That said, I think once these micro grooves wear down the club will be the same as a Vokey or similar that don't have much in the way of micro grooves for wet performance so it's not really a total loss. I'm not sure how deep they really need to be to do their job in the wet so maybe it's not a big deal, but from a looks and feel perspective they wear down to being much smoother than they are out of the package after only a few rounds. I do have concerns though about the durability of the spin tread seems like they really do show wear extremely fast. I guess my opinion differs from the above but I would say that it is extremely noticeable. I'm more curious if it is actually something that shows a benefit in play. As of now, the MG4 is still in the bag.ĭo you think that new "Spin Tread" tech is noticeable? I mean to the actual, physical touch it is very different than other wedges. I do not like Lamkin grips and favor GP Tour 360, but the grip is really nice and have not changed.Ĭompared to a Vokey (long time user), I would say the Vokey groove last longer and the heads are slightly harder feeling than the MG4. The one surprising thing about the wedge is the Lamkin grip. Not a bad thing to have the grooves wear down a bit and would have loved if they stayed longer. Slowly they started to wear more and more and I have attached the picture of the face after 10 rounds. After about 4 rounds (only 2 bunker shots) I started to notice the angled grooves started to disapear below the first groove. Spin is tremondous, even in wet conditions (play in GA at 7:30 am and there is alway dew) to a point that you need to plan on hit and stop even from short chips. There is nothing like pulling off the plastic protection off a new wedge! Straight out the grooves are the roughest surface I have ever felt on a club. I bought the MG4 when it came out and have some mix feelings. 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In this screenshot, we use the dir command to verify the mp3 file was created.įor more information, see: How to download online videos and audio from over 700 sites.BlackHole is a modern MacOS virtual audio driver that allows applications to pass audio to other applications with zero additional latency. Running these commands looks similar to the following picture. In the command above, the file names are enclosed in double-quotes because they contain spaces. Would convert the file named Input file.m4a to a new mp3 file called Output file.mp3. For example, this command: ffmpeg -i "Input file.m4a" "Output file.mp3" To convert the m4a file to an mp3 file, you can use the open-source program FFmpeg. Where url is a web address in the form: ID. If you use the Windows command line, you can download the audio component of a YouTube video with YouTube-dl, a free, open-source program that downloads streaming audio and video.įor example, you can download the audio in m4a format with the command: youtube-dl -f 140 url If you extracted from a compressed file, it's in the extracted folder. Point to the lame_enc.dll file, located at C:\Program Files\Lame for Audacity if you used the default install location. After selecting the MP3 Files type, you may be prompted for the location of the LAME file.Select MP3 Files in the Save as type drop-down list. When you have completed your recording, click File and choose Export.Once downloaded, install LAME on the computer.LAME is available for both the Windows and macOS.
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She sought to collaborate with Chapman and new producers to venture outside of her comfort zone of writing songs alone. Swift said she had been repeating the same songwriting process she used for Speak Now, which diminished her creativity. Executives at Swift's label Big Machine congratulated her on having finalized the album within one year. By October 2011, she had written around 25 songs. Recording and production Swift on the Speak Now World Tour in 2011, when she was writing RedĪfter the release of Speak Now, Swift planned to continue collaborating with Chapman for its follow-up. At the 54th Grammy Awards in 2012, the album was nominated for Best Country Album, and its single " Mean" won Best Country Song and Best Country Solo Performance. Speak Now was the fastest-selling digital album by a female artist, with 278,000 downloads in a week, earning Swift an entry in the 2010 Guinness World Records. It incorporates various rock styles, including pop rock, arena rock, and new wave rock. Speak Now, which was co-produced by Swift and her longtime collaborator Nathan Chapman, expands on her characteristic country pop sound with increasingly frequent elements of radio-friendly pop crossover, which are evident on its predecessor, Fearless (2008). Rolling Stone reported in 2020 that Swift wrote the music to Speak Now alone to prove to critics she was capable Swift herself says it happened by accident as she would write songs in early morning hours and did not have a co-writer around before she finished the songs. The singer-songwriter Taylor Swift released her third studio album, Speak Now, in October 2010. Following a dispute regarding the ownership of Swift's back catalog, she re-recorded the album and released it as Red (Taylor's Version) on November 12, 2021. It appeared in publications' lists of the best albums of the 2010s decade and ranked at number 99 in the 2020 revision of Rolling Stone 's 500 Greatest Albums of All Time. Retrospectively, many critics regard Red one of Swift's best albums and a transitional record bridging her country roots to mainstream pop. When it was first released, music critics praised Swift's songwriting in Red but they were divided on the album's sonic range praise was directed at the album's versatility but criticism targeted its inconsistency. Swift promoted the album with the Red Tour (2013–2014), which grossed $150 million. The album received nominations for Album of the Year at the 2013 Country Music Association Awards, and Album of the Year and Best Country Album at the 2014 Grammy Awards. It topped the charts and received multi-platinum certifications in Australia, Canada, New Zealand, and the United Kingdom. In the US, Red spent seven weeks atop the Billboard 200-making Swift the first female artist and the second act after the Beatles to have three consecutive albums each spend at least six weeks at number one-and was certified seven-times Platinum by the Recording Industry Association of America (RIAA). The album was supported with seven singles, including the US Billboard Hot 100 number-one lead single " We Are Never Ever Getting Back Together" and the Mainstream Top 40 number-one single " I Knew You Were Trouble". Big Machine promoted Red as a country album but many critics disputed this categorization and deemed it a pop record. The record combines styles of pop, country, and rock, with eclectic elements including arena rock, Britrock, dance-pop, and dubstep. Hoping to experiment with new sounds beyond her previous albums' country pop style, Swift engaged new producers Dann Huff, Max Martin, Shellback, Jeff Bhasker, Dan Wilson, Jacknife Lee, Butch Walker, alongside her long-time collaborator Nathan Chapman. The album's title refers to the tumultuous, "red" emotions Swift experienced during the album's conception its songs discuss the complex and conflicting feelings resulting from fading romance. It was released on October 22, 2012, by Big Machine Records. Red is the fourth studio album by the American singer-songwriter Taylor Swift. " We Are Never Ever Getting Back Together". View this wallpaper in your room before you buy it with the handy visualizerĪt Origin Wallcoverings you can easily view this wallpaper in your room. Would you like to receive a sample of this wallpaper (337252) first, so you can see the colour, material and surface effect of this wallpaper at home? 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Indeed, Apple said sales of its legacy iPhone declined nearly 18% to $31 billion from $37.5 billion during the previous-year period. “Our March quarter results show the continued strength of our installed base of over 1.4 billion active devices,” CEO Tim Cook said in a statement.Ĭook eyes Apple’s install base as the genesis for the future success of AppleTV+ and related Apple business ventures such as Apple News, Apple Pay (including branded credit card), Apple Arcade (gaming) and Apple Music. “We see this as a powerful testament to the satisfaction, engagement and loyalty of our customers - and a great driver of our growth across the board,” Cook said.Īuthor Erik Gruenwedel Posted on JanuJanuCategories Digital, Financial, News, Top News Story Tags Apple, Apple Watch, AppleTV+, iPad, iPhone, Mac, Tim Cook Leave a comment on SVOD Helps Apple Post Record Q1 Services Revenue of $12.7 Billion Apple Ups Q2 ‘Services’ Revenue to Record $11.5 BillionĪpple April 30 reported record “services” revenue of $11.5 billion, up more than 16% from revenue of $9.13 billion during the previous-year period.Īs the media/tech giant shifts its focus from hardware products such as iPhone, iPad, Mac and Apple Watch, among others, it has upped scrutiny on services, which include sales of digital movies and TV shows on iTunes and Apple TV, in addition to the pending rollout of Apple TV+ app and separate subscription streaming video service. Subscribe HERE to the FREE Media Play News Daily Newsletter! He said Apple’s install base across all branded devices grew in each of the company’s geographic segments topping 1.5 billion. “We are thrilled to report Apple’s highest quarterly revenue ever, fueled by strong demand for our iPhone 11 and iPhone 11 Pro models, and all-time records for Services and Wearables,” Cook said. International sales accounted for 61% of the quarter’s revenue. The services category, which also includes iTunes, the App Store, the Mac App Store, Apple Music, Apple Pay, AppleCare and Apple Arcade, has become a significant revenue driver for the Menlo Park, Calif.-based tech giant.Īpple also had a great quarter overall, posting record revenue of $91.8 billion, up 9% from the year-ago quarter. That was up 17% compared to services revenue of $10.8 billion in the previous-year period. The SVOD platform helped Apple’s “services” business segment generate record revenue of $12.7 billion for the first quarter, ended Dec. 12 in six markets, Apple TV+ is available in 100 markets that sell iPhone, iPad, Apple Watches and Mac computers. 1, 2019, has had a “rousing start” with strong consumer response worldwide. 28 on the Q1 fiscal call, Cook said Apple TV+, which launched on Nov. Author Erik Gruenwedel Posted on OctoNovemCategories Consumer Electronics, Digital, Financial, News, Top News Story Tags Apple, Apple TV, iPad, iPhone, Mac, Q4 Financials, Streaming Services Leave a comment on Apple Services Q4 Revenue Up 26% to $18.3 Billion SVOD Helps Apple Post Record Q1 Services Revenue of $12.7 Billionĭespite myriad naysayers, the Apple TV+ subscription streaming video service is quietly exceeding expectations and producing on the bottom line, according to CEO Tim Cook. “We are infusing our values into everything we make - moving closer to our 2030 goal of being carbon neutral up and down our supply chain and across the lifecycle of our products, and ever advancing our mission to build a more equitable future,” Cook said in a statement. The record September revenue of $83.4 billion, up 29% year-over-year, prompted CEO Tim Cook to look beyond the finances, focusing on Apple’s loftier goals. Wearables and home accessories revenue rose 11.5% to $8.7 billion, from $7.8 billion. Apple iPad revenue increased 21.5% to $8.2 billion, from $6.8 billion. Mac sales increased 2% to $9.2 billion, from $9 billion a year ago. For the fiscal year, iPhone revenue reached $192 billion, up more than 39% from $137.7 billion a year ago. Meanwhile, iPhone sales skyrocketed 47% to $38.8 billion, compared with $26.4 billion in the previous-year quarter - underscoring the appeal of the new iPhone 13 model. Quarterly margins in the segment remained strong, generating almost 70% in gross income in the quarter, up slightly from 67% in the previous-year quarter. Services revenue includes sales of movies and TV shows on iTunes, the App Store, Mac App Store, Apple Music, Apple Pay, Apple TV+, Apple Arcade and Apple News+, among others.įor the fiscal year, services revenue spiked 27% to $68.4 billion, from $53.7 billion a year ago. 25) services revenue of $18.3 billion, up 26% from revenue of $14.5 billion during the previous-year period. |
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